Transistors and beauty

Oh, dearest readers (I assume there is at least one, being myself, or a certain stalker of mine), I have neglected this idea terribly. My first post was full of hope and ridicule, but just one post can surely never be enough to satisfy your ravenous tastes. Perhaps I should look to the initial example that inspired this project; no doubt it will infuse me with exhilaration and encouragement.

I must confess that I am terribly impressed, in fact, in awe, that it has remained of such high quality. This paragraph was especially entertaining

"Yes, she would make jars full of strawberry jam; her only preserve against the faint ridiculousness that wafted about her, alongside the billows of delusions and projections; her only preserve, and here she smirked at the pun, and here she sealed the lids on her jam jars and made fiddly labels and displayed them in artfully rustic arrangements (yes, she thought, she was beginning to grasp this ‘country’ aesthetic)."

A third person narrative? What ingenuity is this? I am humbled and ashamed.

So, with renewed vigour, I shall continue to explore my soul. What cloying sagacity has filled my days of late? What supreme command over the self and psyche allows me to penetrate the deepest of my own thoughts? I shall tell you.

First - a happy loneliness, that is endured with surprising ease as I imagine the sweetness of reuniting. But this perhaps is untrue. I feel it is tinged with laziness or perhaps a kind of subconscious preparation for the future. Either way, I have felt energized to do and be more, rather than being content with remaining stationary for an entire day, without a thought to interrupt my felicity. I would maintain that this state is neither better nor worse, simply different. Replacing affection with efficiency.

Second - new films. I finally managed to attend a members' screening at the ICA of Mon-Rak Transistor, a Thai film that was somewhere between slapstick and tragedy; romance and musical. It was an enjoyable film, with very pretty actors and an almost soap-opera style. The lead, Pan, always had an inexplicable and impertinent smile on his face, which faded as the film went on.

A sad ending

The Lives of Others came in the post, as did Céline et Julie vont en bateau. That was 193 minutes of pure melodramatic mystery and delicacy. The Lives of Others was sad, but it didn't make me cry, unlike a certain other animated film that shall remain nameless. I must set aside some time to watch the Luis Buñuel film my brother sent, but I find it so difficult to sit still.

I am now hungry, so I will make some rice pudding or use one of those cookie recipes from the wives of the U.S. presidents. I will try my best to return soon.
Only after I have made some jam in the third person, bien sur.